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Releasing Your Music: Publishing vs Distribution, Explained Simply

Plenty of new artists believe that "getting on Spotify" is the whole job. It is only half of it — and often the smaller half over the life of a song. The confusion comes from not seeing that every piece of music is really two assets, each with its own money stream.

There is the recording (the master — the specific audio file you uploaded) and there is the composition (the song itself: the melody and lyrics, independent of any particular recording). Distribution deals with the first. Publishing deals with the second.

Distribution is the part most people know. A distributor delivers your recording to the streaming platforms and collects the recording royalties — the per-stream money paid to whoever owns the master. It is fast, largely automated, and usually priced as a flat fee or a percentage.

Publishing is the part people miss. The composition generates its own, separate royalties: mechanical royalties (for reproduction), performance royalties (radio, live, and the performance share of streaming, collected through PROs/collecting societies), and sync royalties (when the song is placed in film, TV, ads or games). Your distributor does not collect these. If the composition is never registered with a PRO and a publisher, that money is earned somewhere in the world and simply never reaches you — sometimes for years.

This is the trap: a song can be distributed flawlessly and still be quietly losing its publishing royalties, because no one registered the underlying work. And the bigger the song gets, the more money is left on the table.

Working with a publisher that also handles or coordinates distribution means both streams are covered and reported together — no gap between "the recording is live" and "the song is actually being collected."

PA74 Music is a publisher first. We make sure the composition side is registered and collected, and we coordinate distribution so nothing falls through the cracks. If you are not sure whether your publishing is being collected at all, that is exactly the question worth asking — see how we work or explore the catalogue.